Looking at Vladimir Propp's Theory of Narrative, in the opening sequence we would see 2 of the possible 7 characters: the villain and the victim.The villain, being the ruthless masked murderer, and the victim being the innocent woman who dies.
If we however looked at Tzvetan Todorov's Theory of Narrative, even in the opening sequence we can establish a few of the five stages that Todorov suggested are conventional in every film.
- the equilibrium: when the victim is sitting at home, eating her snack and everything seems normal.
- a disruption of the equilibrium: when she goes to take out the rubbish and we see the murderer hiding with a knife.
- a recognition of the disruption: when the woman receives the first anonymous call and starts hearing strange noises.
Since this is an opening sequence, the narrative had to show some elements of the actual film, but not give anything too important away, so the audience doesn't get boring and stop watching. That's why in this opening sequence we can see a single killing, with no idea who the killer might be or any idea about why he/she might be killing people. This should keep the audience interested enough in finding out, to keep them watching the rest of the movie.
This opening sequence tells a short story, as the order of events in it is in chronological order, with no flashbacks, flashforwards or dream sequences. It's a linear narrative.
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